Embracing My Crazy Life

“How does life get this crazy?” my friend Lori asked this morning, as we were trying to find a time to meet and plan a pollinator garden.

I knew her question was rhetorical, but I wanted to answer anyway, to remind both of us that we’re choosing to spend our time in positive ways. “Life gets so crazy because we’re both active and involved people,” I texted back, “which is a good thing.”

Lori recently retired from a career in healthcare, and her days are filled with family, tending her horse community, and projects to benefit the community, like the pollinator garden.

I am retirement age, and although I have retired from the work of re-storying houses because it was time to settle, I am not likely to ever retire from writing or ecological restoration. I still have things to say, books and ideas circling in my mind, and I am still engaged in removing invasive weeds and helping heal and restore my patch of this earth.

Which means my life will continue to be a bit crazy. I’m finally embracing that, because I have realized that I love what I do and I’m not going to change.

Here’s a brief summary of my crazy life since I last posted on this blog, two and a half months ago:

• I researched and wrote the story of a photographer’s life and work for what will be a truly gorgeous (and fascinating) photo coffee table book to be published this fall by Portfolio Publications. That work involved dozens of phone interviews and weeks of organizing the material into a coherent narrative, as well as writing and fact-checking photo captions, plus writing the jacket copy, pull quotes, and front- and back-matter. Over 20k words in total, in less than three months. Whew!

Book jacket for the photographer’s book. Book and jacket design by Jenny Barry of Jennifer Barry Design.

• I drove six and a half hours to Colorado to guest-teach restoration ecology for a class in environmental ethics taught by my friend Evonne Ellis at Western State University in Gunnison. While I was there, I visited my house in Paonia, did some yard work, and gave the house some love. (And said hello to some bighorn sheep.)

Bighorn sheep licking road salt from the eastbound lane of US 50 by Blue Mesa Reservoir.

• I dreamed up and started filming “Weekly Wildflower,” my new series of one-minute-plus videos that profile local native plants and their relationships. I shoot each live on my morning walks, and they run on Wednesdays.

Click the link below to watch a sample “Weekly Wildflower.”

IMG_8584

You can follow me on FB, Instagram, or Twitter to see the videos. Eventually they will migrate to Substack and come out as weekly newsletters. Once I figure out how Substack works, that is!

Sunrise from the porch of my cabin at Ring Lake Ranch. It’s a glorious place!

• I spent two weeks in Wyoming, mostly at Ring Lake Ranch, the spiritual retreat center/guest ranch were I worked the past two summers. At the ranch, I worked on eradicating invasive weeds, either by pulling them up outright or spraying them. And then I headed home to Cody to hang out with friends (thank you, Connie and Jay!) and soak up the sagebrush country in spring, resplendent with Indian paintbrush in bloom.

Northwestern indian paintbrush blooming in the McCullough Peaks east of Cody.

• I was barely back from that 2,000-mile roadtrip when I learned that the latest offer on my Paonia house (there had been several, but none had made it to closing) was actually going to close the following Friday. So on Thursday afternoon, I set off on yet another road trip to western Colorado, spent one last night in my Paonia house, attended closing, and drove the seven hours back to Santa Fe Friday night tired and very relieved to be home for good!

My sweet Paonia house this spring

• Last week, I set up my recording studio in my closet, and began narrating the audiobook version of my memoir, Bless the Birds. This project has been nagging at me since before the book’s publication two years ago, but I wasn’t ready until now. I had forgotten how much I love narration, and the seductive lure of telling stories to an invisible audience. So you can think of me in my closet, headphones on, reading away.

The recording studio in the corner of my closet….

These are not easy times, to say the least. But I am happy. I embrace my crazy life because I am doing useful and positive work, and I have wonderfully supportive friends and family. As I wrote in Bless the Birds, I am old,

I have lived through loss, fear, and pain. I am still walking forward, still finding joy in the lives around me, human and moreso. Still loving.

That’s the key: Still loving.

My hope for you, dear friends, is that you are also still loving this life and this planet. And that you are still working on positive contributions to our communities, each other, and our Earth, no matter the difficult times. Thank you!

Turning Toward the Light

Tuesday, December 21st, marks winter solstice, the day with the fewest hours of daylight here in the Northern Hemisphere, and consequently, the longest night of the year.

The word “solstice” comes from “stands still,” because for a few days around the winter and summer solstices, the sun seems to stand still in its apparent migration from the southern sky to the northern sky and back over the course of the year. (“Apparent” because it’s not the sun moving, but the tilt in earth’s axis as it rotates around our giant source of heat and light–the sun–that causes that seeming solar movement.)

For many of us, the short days and long nights bring a kind of existential discomfort and dread, something deep in our cells that harks back to the days before electric lighting, when our lives were entirely shaped by the coming and going of natural light.

Holiday lights brighten my front porch in the darkness before dawn.

No wonder that our major winter holidays all feature light in some form, whether Christmas lights or Chanukah menorahs, the candles of Kwanzaa, or the Hindu Diwali festival of lights (although Diwali fell in late October this year).

In this time of literal darkness, we need light to remind us that our hemisphere will turn back toward the light, and that spring and green will return. With the Omicron variant of COVID, continuing political and social divisiveness, racism taking violent and deadly forms, and our climate in meltdown, we need signs of light and hope to ameliorate the figurative darkness weighing on us all.

One of my favorite traditions of lighting the darkness at this time of year comes from southern New Mexico, where Richard and Molly and I lived for seven years: luminarias, little candles sitting on a bed of sand and nestled in lunch-box sized paper bags. Traditionally, luminarias are lit on Christmas Eve, to light the way of the holy family to the stable. The fragile lights burn all night long, guttering out as dawn comes, signaling the turn toward longer days and shorter nights. (In northern New Mexico, they’re called farolitos.)

Luminarias at Creek House, the little house I designed for myself in Salida. (The house was still under construction that first winter solstice, but I wasn’t going to miss putting out luminarias!)

We adapted luminarias to our winter solstice celebration, one of two big parties we held each year. At the celebration of Richard’s life, Molly and I supplied luminaria-makings, and guests decorated the bags with messages for Richard and placed them around “Matriculation,” his sculpture in the Salida Sculpture Park.

Luminarias lining the path at the sculpture park and ringing “Matriculation.”

I still have some of those decorated luminaria bags, which I re-use year after year. They remind me of the outpouring of love from our community as Richard, Molly and I journeyed with his brain cancer, and after his death. Our friends and family truly lit our way, and I am grateful.

One of many luminaria bags from Richard’s celebration of life, decorated with individual messages.

In this dark season, ten years after Richard died, I am turning toward the light in another way, engaging in a mindful “divestiture” (in the apt words of my playwright friend, DS Magid). I’m working at freeing myself of literal and figurative stuff I’ve been carrying with me, lightening my load as I move on.

That means finding new  homes for books, beds, and other possessions; sorting through the boxes of Richard’s archives I’ve moved from place to place to place and picking out what I think Molly might want someday; and also taking a close look at my mental and emotional stuff, working to let go of habits, expectations, fears and misperceptions that don’t serve me.

It’s not easy to let go–especially of books!–but it is freeing. And that feels right for me now.

As the Northern Hemisphere turns toward the light, we can each bring light to our own worlds, at least metaphorically. For inspiration, here’s singer/songwriter Carrie Newcomer’s song, “Lean in to the Light.”

Winter Solstice blessings to you all!

Me, dressing for my solstice party….

Bless the Birds Coming Soon!

Bless the Birds cover layout, with great blurbs from Lyanda Haupt, Craig Childs, and Kathleen Dean Moore. Thanks to all who read and wrote blurbs (there are more inside the book).

I confess that I have spent a lot of March playing hooky. My lack of discipline either comes from the sheer terror of having Bless the Birds, the newest and most gutsy of my book ouevre, close to hitting the streets, or from my resolve to take advantage of the company of the Guy, Badger, and the horses for the nearly four weeks they were here.

Honestly, I think it’s a combination of both. I haven’t entirely neglected book promotion, but I’ve logged more miles in the saddle than I have hours at my desk. Which is probably healthy, and part of why I am in pretty great physical shape right now.

Me, riding the arroyo on Sal, followed by my faithful shadow.

When the Guy arrived at the end of February, we were determined to ride every day if we could, and we managed at least a mile or two most days, and some days we went out for much longer, including one weekend when we rode a twelve-mile loop one day and then did a seven-mile cross-country (off trail) ride to a ruined 14th century pueblo the next. I admit that I needed a day to rest after that!

Three blondes and a paint head cross-country…. (That’s the horses; we riders are all going silver.)

The herd, Badger, and the Guy headed north on Thursday morning in a huge swirl of spring-is-coming-and-the-hayfields-need-preparation energy. So it’s suddenly pretty quiet around here, and I have no excuse for neglecting magazine and journal interviews, upcoming radio appearances, a potential blog book tour, and my planned year-long author conversation/podcast series, Living with Love — Cultivating Earth Sense. (Thanks to the amazing Dan Blank of We Grow Media for helping me clarify what I have to offer, which lead to the idea of this series.)

What’s ahead?

  • April 27 is the official publication date for Bless the Birds. If you’ve already ordered the book, you should get it then. If you haven’t, and you want a signed copy, Collected Works Bookstore here in Santa Fe has kindly agreed to be my official source for shipping signed books, so please contact the good folks there.
  • April 26 my blog book tour begins with a wide-ranging interview with author and translator C.M. Mayo on her Madam Mayo blog. C.M asks great questions, so we covered a lot of topics within Bless the Birds and beyond.
  • April 30, at 8:30 pm (ET), I’m reading as part of the NYC-based “The Greatest Indoor Reading Series.” It’s virtual, and I don’t know what other readers I’m paired with, but it’s bound to be an interesting evening! Join us via Zoom through the website.
  • May 4, Interview on the Richard Eeds Show. (Time TBA, sometime between 1:00 and 4:00 pm RMT, available as a podcast after the show.)
  • May 6, at 6:oo pm (RMT) is the big day: BOOK LAUNCH! Collected Works is hosting my Zoom-based conversation with fellow memoirist Kati Standefer, author of Lightning Flowersa personal and environmental accounting of the cost of advanced medical technology. Lightning Flowers is an Oprah and NYT book review editor’s pick, among other honors. Our talk is also the first conversation in my upcoming Living with Love — Cultivating Earth Sense series. Our topic: Living on the edge of death. Join us for what I know will be a fascinating and insightful exchange.
  • June 5 & 6 I’ll be in Lander, Wyoming, as faculty at Wyoming Writers 46th annual conference. If you can’t make it to Lander, at the foot of the spectacular Wind River Mountains and in the heart of Eastern Shoshone and Arapaho Indian country, you can also attend virtually.

There’s more, including an author conversation with philosopher Kathleen Dean Moore, author of Earth’s Wild Music, in June, followed by a conversation with Lyanda Haupt, author of Rooted: Life at the Crossroads of Science, Nature, and Spiritin July. But this is enough for now. (If you haven’t subscribed to my email newsletter, now’s a good time. I’ll send out periodic updates on my schedule.)

Bless the Birds and an interview with me was featured in the March-April issue of Neighbors Magazine. Illustration courtesy of editor Cheryl Fallstead.

2020: Remembering the good parts

Desert four-o-clock (Mirabilis multiflora) in full bloom.

As we come to the end of 2020, a year that has been tumultuous and difficult in ways we all know, my impulse is to kick the old year in the rear and unceremoniously slam the door behind it.  Instead, I want to remember the blessings that came my way, so that I can welcome 2021 with my heart open and my gratitude foremost.

Those blessings? What comes to mind first are the Guy and his dog and horses. I who was perfectly happy to live the rest of my life solo now have a loving partnership again with a man who shares my bond with these Rocky Mountain landscapes, with the literature that rises from them, and who also shares my need for time in the wild.

Me on Cookie, leading Silky into the wilderness on our pack trip.

For my birthday, he gifted me with four days in the remote Washakie Wilderness of northwest Wyoming, just southeast of Yellowstone, where I worked as a young field ecologist. It was pure heaven. Our long-distance relationship isn’t simple, but the rewards are beyond words. My heart is full, and my understanding of the world is enriched by his company, knowledge, and insights.

A lake in the Washakie wilderness where we stopped for lunch on our pack trip.

Another blessing has been time with friends and family, much of that virtual. But in these socially distanced COVID-19 times, the connection with the people I love and whose company nurtures me is so critical.

I treasure the in-person time so much more now that it’s rare. Visits like the walk I took yesterday (masked and socially distanced) with the memoirist Kati Standefer are what sustain me in these challenging days, mind, body, and spirit. (If you haven’t read her stunning debut memoir, Lightning Flowersdo. You’ll understand why Oprah picked it as one of the top 100  books for the year, and it was an Editor’s Choice book at the New York Times Book Review, plus landed Kati on NPR’s Fresh Air.)

A heart-shaped and face-sized chunk of native sandstone, sculpted by time and weathering, and transported by Galisteo Creek.

We trekked up a dry stream-bed near her house at the base of a red sandstone ridge, talking about life and writing and memoir, why we need solitude and the wild and what love is worth, anyway. We hung out with her chickens, and discovered a shared love for Stranahan’s whisky. I found the large heart rock in the stream-bed and lugged it back, knowing somehow it should come home with me.

I needed that high a few hours later when I learned that my friend and writing inspiration, Barry Lopez, had died the day before. It’s been that kind of high-slammed-by-lows year, and I am so fortunate to have a community who cheers me on. Thank you all.

Crossing the farm hayfields in early summer at sunset, after moving the irrigation water one last time.

Another blessing has been time on the land. I live in the rural West, outside Santa Fe in the winter, and in northwest Wyoming in the summer. In between, I spend time on the Guy’s farm, getting to know a whole new landscape in the broad swath of the sagebrush county I call home. Living where there are few people and lots of open space makes it easier to stay safe in COVID-times, and means I get abundant vitamin N, time in nature, to keep me healthy and reasonably sane amidst the tumult of the larger world.

Then there’s the gift of seeing my new memoir, Bless the Birds: Living with Love in a Time of Dying, come to life with a beautiful cover and an inviting page design. And the generosity of fellow authors writing advance praise for BtB. Best-selling novelist Jane Kirkpatrick wrote,

Bless the Birds is the book for our times. It’s a splendid blend of landscapes, relationships, creative work, and spirituality–finding meaning in life framed by an awareness of death. I have a dozen people I want to share this authentic, honest, hopeful memoir with. You will too. It’s a treasure. 

Bless the Birds, with a beautiful cover designed by Julie Metz of She Writes Press.

I am honored that this memoir, my thirteenth book, resonates with writers whose work I admire. (The book is due out in April, and if you are so moved you can pre-order it through Amazon, Bookshop–which supports independent bookstores–or your local bookstore.)

And in this year of so many endings, but also new beginnings, I am grateful for this beautiful new website, courtesy of my multi-talented and generous friends Tony and Maggie Niemann of Tracks Software. I’m not sure what I did to deserve Tony and Maggie, but I truly appreciate them!

One more gift of this difficult year: a new appreciation of simply being here. Alive, relatively healthy, and comfortable. I can take a walk in the near-wild every day. I can write, laugh, read, ride, cook, and love. I have faith that 2021 will bring positive changes. For all of these things, I am truly grateful.

May the new year bring us all chances to be kind, compassionate, and live with our hearts outstretched. Be well!

Sunset glow on Sierra Blanca in the Sacramento Mountains, on our Solstice camping trip.

Settling In

Before Badger, the Guy’s Vizsla, lies down on his heated mat on the couch to snooze away the time between walks and other outings, he always turns around two or three times, ruffles up his blanket, and then settles in with a big sigh. He’s customizing his spot to suit him.

(And that canine remodeling is why my beautiful blue leather couch wears a sturdy gray dog cover when Badger is in residence. As for the heated mat, Badger is almost thirteen–he’s earned his perks.)

The couch without the cover and Badger. Lovely, but pretty empty.

I’m not so different than Badger. With every move in the past nine years since Richard died, I’ve engaged in my equivalent of circling several times and rearranging the blankets in each living space: remodeling.

The first move was to Creek House, the little house I helped design and build for myself in Salida, so that was a bigger deal than remodeling. I made that space my own in spades–I guess you could say I circled quite a few times!

Creek House on the right, Treehouse (the garage/workshop and guest apartment) on the left

Then came Cody, and the seriously dilapidated mid-Century modern house that I rescued, renovating from basement to roof, bringing house and yard back to beautiful life. That circling and rearranging the blanket took nearly two years, but it was oh-so-satisfying. (The neighbors were thrilled that the neighborhood eyesore turned beautiful too.)

Who could resist restoring this vintage kitchen? Not me….

Followed by my move to Santa Fe, and into a small condo that really didn’t need work, but was pretty tired. I replaced worn carpet with vinyl plank floors, renovated the galley kitchen, replaced the aging metal windows with new and more efficient wood ones, and updated the furnace and water heater. And added color to the walls.

Compact, but elegant and welcoming.

When I bought Casa Alegría, my current house, my intention was only to fix what was actually wrong, including a faulty pellet stove with a pipe not up to code, leaky windows, and a mouse-infested attic over the garage and laundry room. And of course paint a few of the boring white walls more interesting colors.

I guess it should be no surprise that I haven’t limited myself to just those projects.

Casa Alegría now boasts a new, efficient and safe woodstove, new windows and screen doors, plus an exterior door replacing a small window, an attic that is properly sealed and insulated (and bio-cleaned so it doesn’t stink), photovoltaic panels on the roof that generate clean power for the house and excess for the power grid, new mini-splits delivering incredibly efficient heating and cooling, a new garage door that actually seals out cold and rodents, and of course, colorful walls.

The great room on a fall afternoon. The pink panels in the sunroom ceiling are a thermal efficiency experiment; they’ll be covered up by beadboard soon.

My latest project as I settle in? Replacing the small flagstone patio in the backyard that was so buried under dirt and debris that I didn’t discover it until I used a shovel to dig out some weeds and hit rock.

The old flagstone patio partly unburied (also before new windows and doors replaced the old, leaky ones).
Patio renovation in progress: The guys dug up and saved the old flagstones at my request, and then leveled the bed.
The renewed patio, with old, paler pink flagstones artistically mixed with the new. Now I need some patio furniture!

As I circle and settle, I am contemplating what else I need to do to make this place fit me, the way Badger makes his couch space comfy. But first, I think I’ll just drag a chair out onto the patio and admire my new outdoor room. Before fall changes to winter with tonight’s snowstorm….

Living with Love in a Time of Dying

That’s the new subtitle of my forthcoming memoir, Bless the Birds*, a phrase that came to me this winter when I realized, as I write in the Preface, “The personal is the political.” Meaning my story of living with heart open through times more difficult than I had ever imagined is directly applicable to all of us now, as we do our best to live with hope rather than despair through what seems the death of civility, the death of our planet, and the death of our democracy. Not to mention the threat of a Coronavirus pandemic.

How do we avoid being paralyzed by grief and fear in these times?

It’s not easy, but it is possible:

This story is about living in a time of dying. It is both prayer and love song, an invitation to walk in the light of what we love, especially when times are hard or heartbreaking. To open our hearts and go forward with as much grace as we can through life’s changes. To honor our cell-deep connection to all of the other lives with whom we share this planet. To celebrate the miracle of simply being, our capacity for love that is both gift and salvation.

How can we rise above and be our best?

Walk in light of what we love, rather than what we fear. That means reminding ourselves—often—what it is that we love. We we care about, what we appreciate and can celebrate about ourselves and our lives, and about life on this amazing animate planet.

As is opening our hearts and living our days with as much grace as is possible. Consciously looking for the beauty inherent in each day, whether that is a flower blooming inside in winter, a coyote glimpsed trotting through a grassland, a fragment of bird song, a painting, piece of music, or dance; an unexpected smile or the touch of a warm hand…

And staying connected to our community, near and far. Not just the people who are most like us and easiest to love, but all of humanity, and all of the species who together make Earth the green and living exception to the vast silence of space.

You’ll notice the repetition of the word love, the quality which I think is the greatest gift our species has to offer Life. Not just romantic love or intense physical desire, the genuine attachment we humans feel for each other, for other species, and for this living world as a whole.

How can we thrive, despite the convulsive changes happening to the world we love?

I offer this personal story as an example of something positive we can do: live with love, and “lean in” to nature, the community that birthed our species. I see love as humans’ greatest gift to this Earth, and one we need to cultivate—especially now. I bless the birds because the sudden and profoundly unnerving appearance of Richard’s avian hallucinations afforded us time to learn how to walk his journey to its end with love. To be reminded of the kindness and generosity intrinsic in our fellow humans. To take heart and sustenance from the miracle of life on this glorious planet, challenges and all. To live fully in a time when life seems especially hard and heart-breaking.

When we find ourselves curling inward in grief and fear, we need to remember our species’ best gift: love.

Living in light of what we love can carry us through. That takes practice, conscious cultivation of being present with compassion and an open heart. Simply being here, hearts open to the flow of life.

Blessings to you all!

*Bless the Birds: Living With Love in a Time of Dying, is due out from She Writes Press in a little over a year, April of 2021. It’s been a long journey, and I am excited to have this, my 13th book, on a path to publication at last.

A coyote from my neighborhood pack hunting the open space below my house at sunset…

Living In a Time of Bruised Hearts

Santa Fe sunset with bruised purple clouds.

post-sunset
clouds flame out, fade to purple
bruised like our hearts

I posted that haiku on social media on Monday, August 5th, after the mass shootings in Gilroy, California; El Paso, Texas; and Dayton, Ohio.

It’s a bruising time personally, politically, nationally, and globally. Hate and divisiveness are flourishing like no time in my memory since the Viet Nam War era, climate change is accelerating, the astonishing diversity of life that makes this planet home for us all is suffering, war and political upheaval are displacing millions of humans, from Syria to Venezuela and Guatemala, from China’s Uighar people to Yemenis starving in their home villages…

On a personal level, I am reeling from the sudden loss of my sister-in-law, Bonnie Cabe.

Ron and Bonnie Cabe at Richard’s memorial service, December 2011

How do we live with hearts heavy and bruised? How do we get up and face each day, go to work, tend our kids and parents, our communities and our planet; how do we laugh and love when there is so much to grieve and fear and rage against? How do we cultivate resilience in a time that seems to defeat every effort?

There is no one answer, because we are all different. (And bless that diversity, because we need the creative energy of differing voices and viewpoints and talents and energy!).

One thing we can all do is listen within for the goodness that lives inside us all, the “small, still voice” of love and kindness, justice and compassion. Whether you call that voice God or Allah or Pachmama or Universal Consciousness or simply lovingkindness, we can honor and do our best to live by its call to be our best selves, to, as Quakers say, add to the “Ocean of Light and Love” that pours over the “Ocean of Darkness and Fear.”

It seems to me that if we live each day according to what we know is right, treating others with kindness and compassion, if we stand up with grace and courage for what we believe in, we can indeed turn this bruising time toward the best humanity is capable of, and away from the worst.

How do we find the energy and resilience to act in even small kindly ways in a time that is so bruising? Again, I think there is no one answer, but I also know the benefits of time outside in nature, or “Vitamin N” as some researchers call it. Studies show that time in nature calms us physically, lowering our heart rates and blood pressure, and slowing our production of cortisol, the fight-or-flight hormone. Vitamin N also helps us think more clearly, focus better, and learn more easily; it reduces aggression and increases our empathy (including empathy to our own selves), all of which are critical to living in these frightening and painful times.

The arroyo that runs through my neighborhood, a natural walking path for everyone from humans to coyotes, roadrunners, and horned toads. 

“Nature” doesn’t have to be a wilderness; it can be the wildness that flourishes everywhere around us, whether the arroyo running through my neighborhood or the less-manicured corners of a city park.

For me, as I wrote in a proposal for the new book I’m working on, solace and resilience and the other benefits of Vitamin N come from hanging out with native plants:

Plants have been my solace and my inspiration for as long as I can remember: As I child, I cycled with my mom to vacant lots scheduled for bulldozing, and carefully rescued native wildflowers, carrying the plants home in my bike basket to relocate to her woodland garden. As a young scientist, I studied ecosystems from the plants’ point of view. I’ve grown gardens of native and edible plants, designed landscapes and given talks on gardening for habitat and humans, and worked at ecological restoration involving plants. 

I never reflected on why plants wove themselves through my days. Until my husband was diagnosed with brain cancer. Over the two and a quarter years that we walked with his brain tumors, I went from being Richard’s lover, creative collaborator, best friend, and co-parent, to being his caregiver, driver and chef, medicine administrator, butt-wiper, diaper wrangler, and eventually, the midwife of his death.

Escaping outside to the company of the restored mountain prairie of our front yard, our patio pollinator garden, or my organic kitchen garden was all that kept me even partly sane. After Richard died, I recognized that working with native plants to restore Earth is my calling, an expression of my Terraphilia. In this time of climate crisis, gun violence, racism, and sickening divisiveness, we need urgently need what plants can teach us about reweaving healthy community, about restoration and the power of simply working together.

A sacred datura flower (Datura wrightii), opening in my patio garden tonight, rain-washed by a grumbling thunderstorm.

In short, we need nature, and we need each other. So get outside, hug your family and friends, live with kindness, speak up and act out with courage, and love long and well. We can live with bruised hearts, and we can help each other heal and bring positive changes to this battered world.

I’m not saying it will be easy, but we have to keep working at it. Together. With love and laughter, with outrage and steadfastness, with compassion and kindness and creativity.

Life: Practice in Revision and Adaptation

Noche, my Toyota Highlander hybrid, parked in the driveway of my brother’s house in Washington state.

For some years now, I’ve had this dream of a little camper with solar panels on top and a cozy bed, kitchen, and space to write–a super-tiny house on wheels–that I could live in while I do my weeding work in Yellowstone and other wild places. Over the winter, I got as far as putting down a deposit on the compact RV I had chosen. And then, the very same day the sale of my Cody house closed, the RV manufacturer went bankrupt.

So I revised that dream, and settled instead on a sweet trailer made by Colorado Teardrops in Boulder, a  custom shop producing amazingly efficient, beautifully designed trailers, and working on becoming a zero-waste manufacturer. Their designs and values are very appealing.

Only I found that plugging trailer brakes into the hybrid regenerative braking system in Noche, my beloved Toyota Highlander Hybrid, isn’t allowed. (Meaning Toyota can’t guarantee that the system would work with trailer brakes; further, adding the seven-pin hitch and brake socket would void my warranty.)

So I revised the dream again and fitted my basic camping set-up right into Noche, giving me a “micro-camper” with a cozy bed, storage for my clothes, weeding tools, camp-stove, a lap-desk for writing, and even a camp toilet. It’s an amazingly comfortable set-up, if quite basic and compact. (And Noche averages 29-30 miles per gallon of gas, not bad for a vehicle I can sleep in–or transport seven friends or family members at a pinch.)

My micro-camper set-up in Noche. 

It’s also a lot cheaper than the custom camper I started out dreaming. Too, this set-up is better than my old camping space in Red, my pickup, because I’m inside Noche, not in a pickup bed. In bad weather or if something goes wrong, I just climb into Noche’s front seat and head on my way without having to get outside.

I still imagine that the perfect small camper van is out there for me, something energy-efficient, simple, comfy, and well-built–without costing an arm and six legs. Since I haven’t found it yet, I’m quite comfortable with the simpler and smaller, revised version of that dream. Just being able to hit the road is a blessing. I get a lot of thinking done during windshield time, and I get to experience the landscapes I love in all sorts of moods and seasons.

Heart Mountain, north of Cody, from Dead Indian Hill, where the grasslands were unbelievably green this spring.

Revision and adaptation seems to be a major theme in my life right now.

For instance, I spent this spring revising Bless the Birds for what I hope is the final time. It’s since been accepted for publication by SheWrites Press for their Spring, 2021 list. Which brings up an ending: Bless the Birds will go off my desk (finally!) and that opens up space for working on the next book, Weeding Yellowstone.

Another revision and adaptation: I intended to spend a good part of my summer in Yellowstone digging weeds. Then I flunked my annual blood tests, so those plans got revised. Instead, I spent a long weekend in Cody helping my friends Jay and Connie Moody at TAC, a spiritual retreat center, and also got to hang out with Judy, another dear friend, who is recovering from a massive stroke.

The labyrinth at TAC at sunset, with Carter Mountain and the Absaroka Range in the background. 

In other words, I’ve been nurturing friendships instead of ecosystems. That’s fine: tending both brings rewards. I’ll resume my work in Yellowstone when I’m healthier again.

Revising my Yellowstone plans also gave me time to drive to Washington state for a gathering of my family. Our branch of the Tweit clan isn’t big, but we do love getting together. We’ve been having such a good time hanging out, playing Yellowstone National Park Monopoly, taking walks with the dogs, and eating great meals, that I haven’t taken any any pictures at all.

Instead of thinking and planning photo opportunities, I’m enjoying the moments as they arise, reveling in being here and taking part in life, laughter, and love.

That’s a healthy adaptation, I know.

Happy Summer to all!

Calochortus macrocarpus, sagebrush mariposa lily, in the coulee country of eastern Washington

Navigating in the Fog

Sometimes life is like the drive I took recently on my way home from Santa Fe to Cody. It's 775 miles from place to place, and no, I don't make the whole drive in one day. I left Santa Fe on one of those glorious late fall days in the high desert of northern New Mexico, with warm sun melting the night's frost off the silvered leaves of the rabbitbrush and big sagebrush, and the piñon pine and juniper needles crisp against blue sky. 

Dawn warms up the arroyo I often walk near where I stay in Santa Fe. 

The weather gods were kind as Red carried me north through northern New Mexico, up the wide expanse of the San Luis Valley in Southern Colorado (Colorado's wildest and most magical desert region, and one I wrote a book about with photographer Glenn Oakley), and then on north up the Arkansas River Valley where Richard and I lived for so long.

Even 11,000+ foot high Fremont Pass wasn't bad, considering the time of year. (Okay, it was snowing, but the pavement was partly clear.) From there on, we had smooth sailing until Rawlins, Wyoming, where the wind began to howl from the west in great walloping gusts.

Still, the roads were clear, so I got cocky, thinking I'd get all the way home without hitting really bad conditions. Red and I tacked sideways to the wind across the Great Divide Basin, where the Continental Divide splits in two, following the ridges that surround this in-draining bowl of salt-crusted desert. If the gusts were a mite strong, I thought nothing of it, even when we turned west directly into those galloping waves of air.

The sun was shining, I told myself, and the roads were clear. And we were four hours from home. What could go wrong?

When Red and I dropped over Beaver Rim into the Wind River Basin, the wind quit just as abruptly as if switched up. The air was still as glass. As we headed downhill into Riverton, the temperature dropped too, from the low 40s into the teens. Hoarfrost coated every surface, sparkling in the sunshine.

I'd like to say I had the first uh-oh thought then, but I didn't. I was tired and eager to make it home before dark, so I kept Red going, her tires humming as the miles sped past. I didn't read the weather-signs until we crossed the frozen, snow-covered expanse of Boysen Reservoir, about two and a half hours from home. I looked north toward the low ridge of the Owl Creek Mountains and the v-shaped gap of the Wind River Canyon, where we were headed. 

Boysen Reservoir

A gray layer of cloud hung along the lower edge of the Owl Creeks, muffling the canyon itself. Uh oh. 

Red and I turned north at Shoshoni, and soon drove under that cloud. Within a few minutes, the sun's warmth vanished, ice crystals formed on Red's antenna, and even with the heater blasting, cold seeped into the cab. 

High desert landscape with hoarfrost on snow

A few miles later, the cloud–which I now realized was ice fog–closed in around us and visibility dropped to half a mile (the photo at the top of the post), and then only a few car lengths. (I quit shooting photos then.)

I slowed Red and crept on, hoping no one came up suddenly behind us, or wandered into our lane from the other direction. Ten slow and icy but mercifully accident-free miles later, the fog began to lift, and we approached the winding canyon. 

The winding canyon lies ahead, but at least I can see…

The black ice lessened, and I began to think things might improve. Through two dark and icicle-hung tunnels carved in the ancient rock at the core of the range, Red and I emerged. And voilá!

 

I could see blue sky ahead. Around the next bend, the fog and ice cleared away entirely. 

By the time Red and I wound our way out of the canyon and crossed the Bighorn River, the sun had warmed the truck cab and we were whizzing along again. 

Exiting the canyon, the snow and ice behind us… 

From there on in, it really was smooth sailing, and I pulled Red into the driveway just as dusk deepened to darkness, having avoided hitting several hundred mule deer and a larger number of pronghorn on the last segment of the drive. 

My life right now feels very much like I'm still creeping along in that ice fog, hoping it lifts soon and I will see sun and blue sky ahead. (And be able to see the road I'm on!) The fog is partly the events in our country (although the mid-term elections brought a glimmer of smoother sailing ahead) and around the world, where climate change is now enough of an in-your-face catastrophe for humans and other species alike that perhaps we'll take it seriously. 

The fog is also personal. Back in late summer when I finally finished the house and put it on the market, I got cocky and felt like the road ahead was clear: the house would sell quickly, I would pack up and hit the road in my tiny, energy-efficient motorhome, and winter in a warmer climate. Then Dad was diagnosed with lymphoma, and my path turned to helping care for him, sorting out his legal and financial affairs, and serving as his personal representative to implement his will after he died.

My time at The Mesa Refuge earlier this month came as a real blessing. Those days with no charge but to write reminded me that no matter what is swirling around me, I have things to say that need to be said now. (Special thanks to my Mesa suite-mate, Syrian-American writer and human rights lawyer Alia Malek, for her thoughts and questions clarifying my thoughts.)

And now, here I am back in Cody and in the fog again. It snowed today. My house hasn't sold, and I am still working on implementing Dad's will. I am also writing. 

I think I can see a blue cast to my personal ice fog, as if it will clear. Or at least lift a bit. What is clear is that I am moving south to Santa Fe in a few weeks to get out of Wyoming's winter before it impacts my health again. I'll return this glorious sagebrush country come spring, and in the meantime, I hope someone buys this beautiful house. It's ready for someone new to love it, and I'm ready to let it go.

And I by then I will have a new book well under way, one about plants and gardens and climate change. So each day I write my way onward into the fog, in the faith that I am going where I need to go, clear roads or not. 

Waiting: The Practice of Patience

Patience has never been my virtue. I may spend a long time mulling over a life-decision, researching my options, looking for possibilities I might have missed. But once I decide, I am ready for the results NOW. Or better yet, yesterday. When things don't happen on the schedule I prefer, I fret (inwardly at least), pace about, and do whatever I can to move the process along. 

Oh, I can be patient about some things: writing, renovating a house, digging invasive weeds, shaping a garden… Creative stuff, in other words. 

For example, I spent almost 20 years restoring the block of degraded creek that bounded one edge of Terraphilia, our rescued industrial property in Salida, Colorado, and never got frustrated with the very slow process. You can't rush ecological restoration–it happens on nature's timetable, not ours–especially when you are doing most of the work yourself in your spare time, and with no recompense other than the satisfaction of healing one small part of this amazing planet.

I also spent the better part of seven years writing and rewriting the memoir I call Bless the Birds, even starting over from the very beginning to get it just right. 

I thought I was being patient with restoring this gorgeous mid-Century Modern house and yard too. After all, it's taken a year and nine months to go from grimy and neglected dump to photo-worthy and ready for another 60 years. Only my contractor reminded me that others spread a project like this over decades. Oh. "What if I don't live that long?" I countered. "I want to enjoy it now!" 

He looked at me with–dare I say it?–patience, and waited until I heard the irony in my own words. Okay, maybe I wasn't being as patient as I thought. 

My back deck on a sunny September morning

Apparently I need more practice in patience, and that's what life is giving me right now. 

I am (still) waiting for a publisher to pick up Bless the Birds.

I am waiting for a buyer to snap up my wonderful house and yard. 

I am waiting to hear that my friends who are in the way of Hurricane Florence came through okay, waiting for news on Dad's condition, waiting for a check to arrive for a freelance article I wrote, waiting for paperwork for some of Dad's financials, and waiting to hear if a local shoe store can order a pair of boots I need. 

Have patience! I tell myself. And sometimes I listen…

Now Mom, who has been dead for more than seven years, is reminding me of the importance of practicing patience, albeit in her own unique way. I have been having dreams of the you-can't-get-there-from-here sort, where what you need to accomplish is impossible and you wake frustrated and sometimes exhausted from the trying. 

In my dreams, I am charged with shepherding a group of elders including Mom and Dad onto a small passenger ferry that will carry them across a body of water. Only I can't keep the group together to board the boat: they wander in different directions or go off on their own. Even Mom and Dad, who always held hands, don't stick together. It's like herding cats; I wake tense and discouraged.  

And then, about a week before Dad ended up in the hospital were he was eventually diagnosed with terminal lymphoma, I woke from a very different dream: just Mom and me in a hazy dreamscape of puffy clouds, like a Renaissance fresco. Mom is seated (only there is no chair), looking off into the distance and tapping her feet impatiently. She holds out her hand as if to grasp another's hand, turns to me, and says, "He was always slow." I know immediately who "he" is. I start to reply, but she returns to staring into the distance. 

A moment later, she turns to me again, blue eyes snapping, and says, "Tell him to hurry up. I can't wait much longer."

I look off in the direction of her gaze and there is Dad, working his way towards us with slow and wobbling steps, tapping with his blind-guy cane. He turns his head toward us and says, "Where is she? I can't find her." 

"She's right here next to me, Dad." 

He clearly can't see Mom, so I walk over and lead him to her. He reaches out his hand, fumbling for hers, and misses it, so I guide his hand to hers. 

The moment their hands touch, they are gone. Just like that. 

I woke from that dream with a great sense of relief. I'm not the shepherd after all. Mom, it seems, is waiting for Dad. She'll guide him on this transition. 

Mom, waiting for Dad to finish framing the photo, on their honeymoon at Mt Lassen National Park in June, 1952.

Okay, I thought, Mom's telling me to be patient. (There's an irony in that, since she is clearly tired of waiting for Dad to join her wherever spirits go after they leave these bodies. But she's waited eight years–she's entitled to some impatience.) She's reminding me that I don't have to try so hard to make things work; I can trust that all will be well.

I'm working on that. 

I'm also working on being patient with myself. Because I've realized that losing Dad brings up the grief of those other two losses, Mom and Richard, both gone in the same year.

Weathering grief takes time, just as love takes time–and patience.