When I go looking for a new read, the proliferation of books is sometimes simply overwhelming. So when I discovered these two indie projects by authors I knew through previous work, I wanted to share them with you.
If the short stories in Joe Potato’s Real Life Recipes don’t make you belt out at least one (perhaps astonished) laugh like the woman in the photo on the cover, you may need to take your sense of humor in for a check-up. Meriwether O’Connor knows and deeply appreciates rural Appalachia, its people and their no-nonsense and sometimes desperately hardscrabble existence.
Each character in these stories is someone you might meet there: vivid, unique and offering a wry and rooted view of life. And each has a recipe to share.
In this extraordinary collection, you’ll learn about apartment “rabbits” in New York City and how to catch and cook them, and meet Gardenia and the one unlucky squirrel that ate a hole in her trailer and thus became dinner. You’ll watch as a third cousin touches up the hair of his dead relative with black shoe polish at a funeral, and learn his recipe for peanut-butter-and-banana sandwiches fried in a cast iron pot. (“Yes, you can use other metals, I understand, but what better skillet is there that can also be used in self-defense?”)
After reading Joe Potato’s Real Life Recipes, you’ll understand “local food” and Appalachian people at a whole new level. I’m not at all surprised that this collection was nominated for the Weatherford Award (yes, the one Barbara Kingsolver won for Flight Behavior). Or that Carolyn Chute, author of the best-selling novel The Beans of Egypt Maine, said about O’Connor and her stories:
VERY engaging style…Vivid characters…A strong writing voice like (this) is rare.
Stories in Stitches is a collaborative effort between award-winning author and knitter Donna Druchunas (who wrote Arctic Lace, among other books) and well-known designer and knitter Ava Coleman. Stitches is actually a series of books on the stories behind the patterns of hand-knitted creations from dolls to socks and sweaters.
And I do mean stories: Volume Three, on patterns from World War I & II, tells the tales of both author’s ancestors, and thus of the people and culture involved in those wars. In “Dancing Stitches and Flying Fish,” a sock pattern and its history conjures a story that Donna Druchunas’ Eastern European Jewish grandmother might have told,
My grandmother sat at the foot of my bed when I was a little girl. Every night after she fluffed my pillow, tucked the blankets in around my neck, and kissed me on the forehead, she would settle in and tell me a bedtime story. Every night the story was the same.
Bubbeh’s name was Tzivia, she would begin….
You don’t have to be a knitter or a fiber person to appreciate the history and storytelling in this gorgeously designed and beautifully written series, or to understand how hand-made objects can reveal so much about who and why we are.
As Ava Coleman writes in the Editor’s Letter,
We tell our stories so future generations remember. Sometimes that is so we don’t repeat the mistakes of past generations. Other times it is to share skills and ideas with our future generations. This issue shares a bit of both.
Traditional publishing offers a curated experience: editors, publishers and marketers select the books they think are good and publish them. Indie publishing offers a wide-open proliferation of voices and stories. Sometimes that’s good, sometimes not so much.